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Brighton Zombie Walk – Beach of the Dead Photography

The Beach of the Dead is approaching. An event that creates infinite opportunities for fun, colourful and eye popping images.

I’m best known for my event photography and each time I write a post after the event I always think that it would be more useful to post advice BEFORE the event. I remembered this time. Here’s my “getting the best out of Brighton Zombie Walk” post for photographers. It’s on Saturday 20th October and the walk begins at the West Pier at 3pm.

The easiest times to get the shots you want are before and after the actual event.

Arrive an hour before kick off and you’ll have plenty of time to mill around an ask characters to move or pose for you.

Don’t be afraid to talk to people, they are usually excited and pleased to be of interest. I really enjoy this part of the day, chatting and laughing, finding creative angles and working with people to achieve them. It’s a good idea to show them the really good images afterwards, if you get an interesting shot they’ll be even more keen to help you get more.

This lady was happy to pose. I explained what I needed to do to get the image, I had to practically rest the camera on her ample bosom, she was happy to oblige. I could never get this kind of shot if I didn’t engage with my subjects.

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Talk to your subjects, get their trust and make them laugh

Think about different angles, looking up, looking down, finding symmetry and strong diagonals. Choose your backgrounds carfully, consider turning the camera for a diagonal portait.

Beach of the Dead Brighton

Try tilting the camera for a different angle – taken with my fisheye

A lot of my images are shot from a low vantage point. This started as a way of getting clean blue sky backgrounds and became a style, I often take these without looking through the lens.

With a wide angle lens like mine, 16-35mm full frame, this means getting very close to your subject’s face. Another good reason to understand your lens. An ultra wide can include too much background if you are not close enough. Whilst you can use this to your advantage when the background is great, sometimes you want to cut it out of the frame.

Beach of the Dead Brighton-2

looking up adds an interesting perspective and keeps the background cleaner

With practise, you can learn how close you need to be and what angle to hold the camera so that you can keep talking to the subject. Holding the camera about chest height, get in close while distracting your subject with chat.

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Using Fill Flash for Portraits and Events

There are many tutorials on this subject, I know, I have read most of them! Still I have always found it tricky fiddling with the camera and flash settings at events like the Brighton Zombie Walk, when all I’m interested in is capturing all of those split second moments or getting people to pose for a second and not wait while I fiddle!

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Brighton Zombie Walk 2010

For all the expert  advice I have received I seem to have a virtually fool proof way of getting results like this:

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and this:

 zombie walk Brighton 2010

Holy Smoke – zombie walk Brighton 2010 – click to buy this image

  1. I just keep the flash in automatic “E-TTL” setting. You see the beauty of fill-in flash with a modern SLR is that the camera adjusts background exposure and flash exposure automatically, with little input required from the user. That’s how I like it. I know we should be in control blah blah blah and well done anyone who can do all of this in a flash while running around like a maniac like I do at these events.
  2. I set my camera to capture RAW images – important for making sure your highlights don’t blow so much you can’t get them back
  3. I also put set my ISO to 400 when it’s not really bright and sunny, I know another rule break! that way I find the flash is less obvious. I also underexpose my images in camera by 1/2 stop and sometimes 2/3 of a stop as I find it really brings out the sky (I’m holding my breath here waiting for the onslaught of comments telling me why I shouldn’t do this but it really works for me!).
  4. …..And… wait for it…. I leave my camera on P mode.

That’s it, people ask me all the time how I get such great colours in the sky when using my flash and there you have it, breaking all the rules. If you know the real and proper “how to do it” then feel free to let everyone know what I’m doing wrong in my comments section. There is a minimal amount of Photoshoppery to learn more about Photoshop come down to Brighton for a Photoshop  Training Course. We also offer Business Training and Prince2 Training as well as SEO Training and Social Media